ABSTRACT
Folklore as an aspect of the African oral tradition has been traced to traditional African society handed down by customs, beliefs and an aspect of culture handed down by our for forefathers through orature. Conflict that arises over death and the quest for re-invention in the plays of Wole Soyinka’s Death and the King’s Horseman (1975) and Hope Eghagha’s Death not a Redeemer, (1998) as well as the themes, genres, song and other aspect of oral literature that form its aesthetics. Sociological theory, the study of the human relation in the society will be used for the critical analysis of the two plays under study. The analyses of the two plays have revealed the importance of folkloric tradition in the African oral tradition and it has also revealed that folklore helps Africans. Reunite with their traditional past which they have lost through colonialism. The conclusion is drawn from two perspectives of the playwrights, Wole Soyinka is saying that tradition must stand using Olunde to portray this view; Hope Eghagha on the other hand beliefs that tradition should be respected, but it is open to change, as the only permanent thing is change.
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